デザインライブラリ
Photograph album owned by Emily Howland
制作:National Museum of African American History and Culture
無料CC0Smithsonian 3D
Smithsonian NMAAHC: Photograph album owned by Emily Howland
このデザインは Smithsonian 3D でホストされています。ファイルは表示されたライセンスのもと、そちらからダウンロードされます。
| ライセンス | CC0 |
|---|---|
| 出典 | Smithsonian 3D |
| デザイナー | National Museum of African American History and Culture |
| クレジット表記 | National Museum of African American History and Culture · Smithsonian Institution · CC0 Public Domain |
| タグ | smithsonian, museum, cc0, public_domain, nmaahc |
Caption: Caroline “Carrie” Nichols (later Carrie N. Lacy; see 2017.30.13) presented this carte-de-visite album to her friend and fellow teacher Emily Howland on January 1, 1864, at Camp Todd, a freedmen’s camp and school located in Arlington, Virginia. Emily Howland was an abolitionist, educator, philanthropist, and suffragist who founded, financially supported, and taught in numerous schools for African Americans for more than 70 years from 1857 until her death in 1929 at the age of 101.
Caption: Typical of a CDV album during this period, the Howland Album contains photographs of Howland’s family, friends, and colleagues, as well as souvenir images of notable abolitionists and famous figures during the 1860s and 1870s. Based on the photograph dates and later inscriptions, it is clear that Howland added photographs to the album as she collected them throughout the mid- to late 19th century.
Description: Black leather photograph album owned by Emily Howland containing photographs of friends, family, and celebrities. The album covers and binding are made from embossed black leather with gold gilt decorations on the covers and spine. Both covers are the same, with a scallop-edged diamond outlined in gold at the center and geometric borders surrounding it, ending in a thin gold gilt geometric border around the edges. Gilt text is stamped on the spine reading "PHOTOGRAPHS". The front and back interior covers have decorative paper with small gold repeating stylized dots on a white ground adhered to them. There are four (4) sheets of paper at the front of the album, followed by twenty-five (25) thicker pages that each feature a window for holding two (2) photographs per page, and one (1) sheet of paper at the back of the album. There is room for fifty (50) photographs, though the album contains only forty-seven (47) photographs plus one (1) loose photograph too large to fit into the windowed pages. Windows 20, 21, and 47 are empty. The windows are rectangular with rounded
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